Simon Richmond - The John Metcalfe BandJohn Metcalfe

From his early days in New Zealand listening to his father sing opera, John Metcalfe has become one the most exciting and versatile musicians working in the UK today. From giving string quartet recitals in prestigious venues world-wide to composing for radio and TV, penning strings for no.1 UK pop hits and releasing his own genre-defying music, Metcalfe has gained wide recognition for his unique brand of music-making.

Moving to England he took up the viola aged 10 and joined his first band at school playing drums. Raised on a dual-mono diet of Kraftwerk and Joy Division this band influenced his move north-west where he joined cult band The Durutti Column on Manchester's legendary Factory label. He stayed for three years adding his own unique sound and flavour to the enigmatic style of guitarist Vini Reilly.

Hard classical study continued along with hard dancing at the now defunct Hacienda and scholarships took him to London and Berlin (studying with Italian maestro Bruno Giuranna) to finish his training. His distaste for standard classical recording industry practices led him to persuade Factory boss Tony Wilson to launch the ground-breaking Factory Classical label aimed at bringing young British talent and music to a truly new audience.

Metcalfe's talents at A+R led to debuts for now major artists such as Rolf Hind, Steve Martland and his own Duke Quartet. In the meantime Metcalfe's strength as a string composer for bands came to the fore.

Since his work on Morrissey's no.1 solo album Viva Hate he has become one of the UK's top arrangers working for artists such as Simple Minds, The Corrs, Blur and Catatonia. He provided all the strings for the Concert for Linda at the Albert Hall, working with George Michael, Johnny Marr and Tom Jones.

After hearing his arrangement of 'Angel in The Morning' for the 'Friends' soundtrack, the Pretender's Chrissie Hynde asked John to arrange some of her most famous songs for the Isle of View album which featured John's string quartet, the Duke.

As violist in the renowned Duke Quartet, Metcalfe has toured worldwide, made numerous cds and worked with a huge range of world-leading artists from pop, dance, film, tv and theatre; all highly acclaimed by audiences and press. Concerts over the next two seasons take them throughout Europe and the US.

In addition he is one of the major curators at Kings Place with outstanding sell out events throughout last year. His most recent, 'Beyond the Loop', featured some of the most influential and innovative classical and electronic artists from the last 30 years such as Plaid, The Duke Quartet and the Durutti Column. The event concluded with the astounding Bays/Heritge Orchestra collaboration featuring live composing from Metcalfe himself and Toni award winner Simon Hale. He is currently planning his next series for 2011.

Metcalfe made his first steps as a composer nearly a decade ago. His debut cd 'The Inner Line' received glowing reviews. Billboard magazine described it as '.... a solo debut that crosses all manner of boundaries. Melding avant-pop and electronica, film music and contemporary classical The Inner Line is the ideal item for classical fans wanting to investigate a pop-leaning, contemporary sound world or for electronica fans who crave far more musicality than they're used to getting.'

Metcalfe's most recent album 'A Darker Sunset' epitomizes music currently dissolving boundaries between electronic and modern classical styles. Of a recent show at London's ICA John L. Walters of The Guardian stated, "The event starts brilliantly with viola player/composer John Metcalfe. They play a smartly written, sharply defined repertoire...Gangadeen's supercharged style reveals an extra dimension in Metcalfe's material; the drums sit right on top of the beat, synchronising precisely with the urgent attack of the strings."

2010 has been a busy year for Metcalfe. February saw the release of 'Scratch My Back', an album of covers by legendary performer Peter Gabriel. Metcalfe was closely involved in helping Mr. Gabriel re-interpret twelve covers of major artists ranging from David Bowie to Paul Simon using only orchestral instruments. Mojo magazine called it "A profound re-imagining made manifest in an orchestral soundworld as rich and thrilling as ever recorded at Air, the studio founded by George Martin". Concerts followed at major venues including Radio City in New York and the Hollywood Bowl.

In May 'Constant Filter', an album of music composed for cutting edge cellist Matthew Barley was relased alongside music on guitarist Tom Kerstens' latest CD 'Utopia'. Both recieved excellent reviews. In addition his music was heavily featured in a 3-day festival at Kings Place with performances from Matthew Barley and Metcalfe's own group.

Metcalfe is currently on tour in Europe with Peter Gabriel and in Autumn will work on the follow-up album to 'Scratch My Back' which he is co-producing.

Metcalfe will release his next solo album in 2011.

The Duke Quartet
Metcalfe has been a member of the renowned Duke Quartet since the late 80's and in that time has toured worldwide, made numerous cds and worked with a huge range of world-leading artists from pop, dance, film, tv and theatre all of which has been done to huge acclaim from audiences and press.
They have a fierce commitment to contemporary music and have commissioned new works from composers such as Kevin Volans, Joby Talbot and Graham Fitkin.
The Dukes recent superlative recording of Steve Reich's Different Trains was highly praised by Rick Jones in The Times...
"The Dukes plunge in Different Trains with decisive biting bows. Reich's most famous work has never had a punchier start.....The voices of the Kindertransport victims inspire the Dukes' most passionate responses. Some groups plays this repetitive music like automatrons, but not the Dukes...the whole disc is a fitting tribute to his [Reich's] 70th birthday this Tuesday."
Visit dukequartet.net, the official Duke Quartet site for more info.
Live Composing with Simon Hale, John Metcalfe, The Bays and The Heritage Orchestra
This collaboration is unique and the concept simple but terrifying. Walk on stage and start composing (using Sibelius notation software) from scratch. No safety net. No pre-composed ideas or templates just a blank score. The orchestral musicians play from monitors linked to the composers' computers. Jules Buckley, the Heritage Orchestra's conductor, working from the ever-developing on-screen scores, brings in the musicians as he sees fit. The Bays respond. The composers respond to the Bays and orchestra. And so on. Suddenly you realise you are in the middle of a never to be repeated aural experience which could move in any direction at any time. Scarey but unbelievably exhilarating for both audience and musicians. .
For to watch a video about this project visit
youtube.com
Arranging
Metcalfe has collaborated with and arranged for some of the world's leading artists including;

Blur
The Corrs
The Pretenders
Morrissey
George Michael
Tom Jones
Peter Gabriel
The Cranberries
Peter Doherty
John Cale